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Ooops I've been so busy recovering, watching glee and cleaning that I almost forgot to submit my communications assignment due in about twenty minutes! Oh dear!
Nostalgia is denial - denial of the painful present. The name for this denial is golden age thinking - the erroneous notion that a different time period is better than the one ones living in - its a flaw in the romantic imagination of those people who find it difficult to cope with the present.Woody Allen's new flick that I watched on the plane- liked however didn't love.
The heaviest of burdens crushes us, we sink beneath it, it pins us to the ground. But in love poetry of every age, the woman longs to be weighed down by the man's body. The heaviest of burdens is therefore simultaneously an image of life's most intense fulfillment. The heavier the burden, the closer our lives come to the earth, the more real and truthful they become. Conversely, the absolute absence of burden causes man to be lighter than air, to soar into heights, take leave of the earth and his earthly being, and become only half real, his movements as free as they are insignificant. What then shall we choose? Weight or lightness?Kundera establishes an intricate set of events through the eyes of four starkly different, however intertwined characters that both question the fundamental nature of the human condition however also a historical perspective of the Russian invasion into Kundera's home country the Czech Republic. I saw a lot of myself in both the two female leads, which represent both weight and light respectively. Tereza, who is the prime example of weight, has several insecurities that are almost identical to my own. She is idealistic, and thinks concisely in black and white. She holds an obsession with being different and not fading into the distance, if only it was a simple act of holding a book under her arm. She finds weight in her work and in being an intellectual. She holds a fear of simply just being another body, which is amplified by Tomas' continuous infidelities.
She had come to him to make her body unique, irreplaceable. But he, too, had drawn an equal sign between her and the rest of them: he kissed them all alike, stroked them all alike, made no, absolutely no distinction between Tereza’s body and the other bodies. He had sent her back into the world she tried to escape, sent her to march naked with the other naked womenOn the other hand, Sabina is the prime female example of light through her obsession with rebellion and disobedience. She is light as a result of her profound satisfaction in the act of betrayal.
Betrayal. From tender youth we are told by father and teacher that betrayal is the most heinous offense imaginable. But what is betrayal? Betrayal means breaking ranks. Betrayal means breaking ranks and going off into the unknown. Sabina knew of nothing more magnificent than going off into the unknownTomas is clearly the hero of the quartet, despite being a womanizer. He is the archetypal example of light as he separates love and sex into two unrelated entities- something that Tereza cannot do- whilst loving Tereza, has sex with several other woman at the same time. He is by no means a romantic idealist, and doesn't really change too much within the novel. I was incredibly attracted to Tomas' lightness throughout the novel and his cynicism towards the perfect ideals of politics and romantic love.
Making love with a woman and sleeping with a woman are two separate passions, not merely different but opposite. Love does not make itself felt in the desire for copulation (a desire that extends to an infinite number of women) but in the desire for shared sleep (a desire limited to one woman).And the last of the characters is Franz. I disliked his character the most, he was obsessed with weight and incapable of lightness. In all honesty, I found him a rather conservative and pathetic character. All the characters compliment each other on their need for their opposites. Tomas needs Tereza's weight, and conversely Tereza needs the lightness of Tomas. Sabina and Tomas are drawn together by their lightness, however their relationship is nothing more than a physical meaningless one. All in all, The Unbearable Lightness of Being was a wonderfully elegant read about irreconcilable love and difference within the nature of being.
Most people think of themselves as individuals, as if theres no one else like them on the planet. This motivates them to get out of bed, eat food and walk around like nothings wrong.Oh yes, so the film. I fell in love with it! Two weeks in a row now, date night has had amazing films. The cinematography was gorgeous, the soundtrack (created by the lead singer of the Artic Monkeys, Alex Turner) was superb and the script was hilarious. I enjoyed the film much much more than the book, besides the change in ending (I won't spoil it for those of you who are yet to read and/or watch it). Directed by British comedian Richard Ayoade (most of you would probably recognise him as Moss from The IT Crowd), Submarine follows the story of fifteen year old Oliver Tate, who is concerned with two things- firstly his new-found relationship with Jordana Bevan, who is "moderately unpopular, therefore making romance between the two of them likely." and secondly the relationship of his parents, which he monitors through the dimness of his parents light switch. The film, from the trailer and publicity alone, seems like the trite coming-of-age story that we've all seen before blah blah blah. However Ayoade's soft cinematography, and playful script leaves pretentiousness out of the picture and in the thoughts of Oliver. The film pretty much reminded me of my nerdy pretentious albeit self loathing 15 year old person, and how he imagined his world to be like it is in the films and whatnot. Anyways, it's definitely going to be placed in my top 5 films of this year methinks.